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Q-News July 2006, Issue 367

What Little Difference A Year Makes >> Humera Khan

A Year of Political Drift >> Yahya Birt

Our Upside Down World >> Ibrahim Hewitt

London: The Strength of a Soft City >> Caspar Melville

The Chilling Price of Security
 >>
Imran Khan

“To care about the ummah is a blessing, not a danger” >> Abdul Wahid

Is Poverty History Yet?  >> Kumi Naidoo

Nanu Miah - The King of Parr >> Shamim Miah

Does Terror Grow
in Our Garden Too?  >>
Nazim Baksh

A Sweet Interrogation >> Fareena Alam

Unlimited mahabba >>
Fuad Nahdi

The Cloak of Beauty >>
Fozia Bora

The Heart’s Dance in God’s Presence >> Daniel Abdal Hayy Moore

Among the Giants >>  Daniel Abdal Hayy Moore

Educating Against Islamophobia >> Shiraz Khan

That Wouldn’t be Very Christian, Would it? >> Farzina Alam

The Unravelling of Ayaan Hirsi Ali >> Mohamed N. Husain

The Fundamental Fear >> Farish A. Noor

Crime in the Valley >> Nick Dearden

The Taliban Strikes Back >> Chris Sands

Grasping the Nettle >> Atif Imtiaz

Plovdiv: Granada of the East >> Abdal-Hakim Murad

Life in the Zongo >> Abdullah Bradford

Hollywood Not History >>  Sufia Lodhi

Painting a Difficult Conversation >> Unaiza Karim

Shaykh Che >> Jennifer Varela and Amina Nawaz

Wayfarers to God >> Qaisar Latif

Looking Back from the Future >> H.A.Hellyer

The Purse and the Accidental Activist >> Lilit Marcus

Diary >> Fuad Nahdi

The Peace Warrior

Prerogatives of the Mosques >> Muhammad Khan

Vox Populi

Making a Better Wudu

Considering Pew

Leeds’s Caged Muslim

The Failure of Mike Gapes MP

The World Halal Industry Comes to London

US Congress Gets Ready for its first Muslim


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An Object of Paranoia

Page 13
Q-News, Issue 367
July 2006

A young British Muslim sits motionless in a cage, in the middle of a busy art gallery. People wander by stopping, staring nervously, wondering what the hell is going on. Is his presence among us a real danger? Or a fabrication of a broader, more sinister agenda?

As part of the acclaimed group show PARANOIA, which opened on June 28 at the Leeds City Art Gallery, artist Doug Fishbone hired a young British Muslim from the Leeds area to sit impassively, in traditional dress, in the middle of a busy private view. An object of paranoia, and a seed of fear in the white Western imagination, yet doing nothing more threatening than merely sitting there. As he might be sitting on the tube...

A subtle commentary on the alienation felt by young Muslim men in the contemporary terrorist panic, and the ambivalence of British racial identity and populist propaganda, this project questions the preversions and contradictions of the West’s vision of Islam. After all, the 7/7 bombers came from the Leeds area.

Doug Fishbone is a video, performance and installation artist living and working in London. www.aionarap.org